Every Streaming Service Wants Τhe Next Friends, But Streaming Was Built To Kill The Next Friends

In the early 1990s, Hangout-Sitcom exploded their popularity when the Americans collectively agreed that looking at the attractive, witty 20 songs five of their daily frustration while finding their friends in the kitchens or sharing a cup of coffee in a local place after a long day. Exhibitions like “Living Single”, “Seinfeld” and “Friends” were not a workplace comedy, dramatic procedures, or focused on the family; They were exhibitions of people who were hanging out and showed that everyday situations found Relatable, illustrative humor, such as moving the sofa to the staircase of a block of flats or trying to find a car in the car park.

The style gained momentum in the 1980s thanks to the success of the 1980s, but the “friends” really broke the mold as the ever more disappointing Gen Xers came into adulthood, at the same time the desperate search for TV Networks’s “look at dinner” programming. If Sitcoms were Slashers, “Kippis” would be a massacre in the 1974 “Texas chain”, the 1993 “Living single” would be 1974 “Black Christmas”, “ And the “friends” would be John Carpenter’s formula-defined “Halloween”. And just like “Halloween” released countless films that tried to capture the popularity of the film, studios, streamers, networks and companies have all been desperately trying to find the following “friends”.

Before streaming completely changed the audience’s consumer entertainment, there were many popular Hangout programs -“how I met your mother”, “Big Bang Theory”, “New Girl”, “Girlfriends” and “Happy Endings” among them -which carried a flashlight forward. But in the streaming season, finding the next big “Hangout Sitcom” has been seemingly impossible. Is because the monoculture is dead? This is because hanging out now contains the phone scrolling and panic about the 24 -hour news cycle? Due to the fact that people just don’t spend time in real life?

No. This is because streaming does not encourage growth and its structure, in design, always kill the following “friends” before it even has the opportunity.

Recently, Prime Video and A24 released Benito Skinner’s “overload” for the first season of the first season, while Hulu dropped all eight “adult” episodes when the FX released each episode every week in the hybrid model. Created Rebecca Shaw and Ben Krengold (that went viral from their hilarious yale initiative speech), “Adults” were quickly compared to HBO’s “girls” messy magnitude, and the show tries with love to admit this inevitable comparison and boldly strengthen it without mistaken Gen Z sound. In the meantime, the “overload” is a university -placed comedy that cuts the millennium and Gen Z humor lines, but adopts friends with the model of the selected family, which has low depreciation and validation of natural anxiety that plagues everyone who entered adults after a great recession. Both programs have more versatile actresses, open -minded queer themes, have more blatant humor values ​​without the essential censorship of Network TV, are more socially conscious than previously received sitcoms and have dynamite bands.

Neither show is trying to be the following “friends”, but both exhibitions have created people who have never consciously knew the world where “friends” were not in the Zeitgist. New York Times Even declared “adults” “friends” for a new generation – a great honor, but one who puts an exhibition unfairly on the pedestal it never asked, not unlike That time Newsweek declared M. Night Shyamala “next Spielberg”. With only eight episodes available for each exhibition, there is no word yet whether either series will be renewed for season 2, which is deeply shocking.

Neither Show debut season was perfect, but each showed a massive promise and ended with an attractive rock that gets me more. 20 years ago, these would be guaranteed hits that we all describe like “friends” like “Wow, they really found track 2 or 3 around the season.” But in the streaming era, if you are not perfect in jumping, you may just as well be dead in the water – and it’s not just how TV works.

Unlike a movie, The television storytelling is constantly evolving. The characters grow over several episodes and several seasons, public feedback affects changes at the focus of the exhibition, and time gives the authors’ rooms to settle in a career. First season most Television programs are rocky and does not reflect exactly how the series will be remembered later on the line. “Parks and Recreation”, “Buffy the Vampire Slayer” and yes, even “friends”, keep beautiful “meh” for the first season. But instead of rejecting the exhibition after one season, missionary practitioners wisely held exhibitions in the air and gave them room to find out. “Friends” star Lisa Kudrow has even admitted it The fact that the “Seinfeld” was presented was a huge help After getting the eyes of the audience in the program, something straight upward There is no existing on a streaming platform.

When the show ends with streaming, you may get a recommendation during the final examination to try something else, or the feared automatic gaming starts, but it is not the same as a scheduled release schedule with limited, alternative options for the next look. Freedom of choice often means leaving people from this screen and looking at what they had planned for viewing, watching something they already know they love or direct their attention back to their phones. Unless two performances are unnecessarily against each other – such as what we see “overloading” and “adults” – shows can rarely help each other, as “Seinfeld” made “friends”.

Just in the world, both exhibitions are already being renewed. Benito Skinner, Wally Barone, Mary Beth Barone and Rish Shah will become household names, fans discuss who in their group of friends “is Paul Baker”, and everyone would do, how Owen Thile – which is in both programs – Žonglii his shooting schedule. Instead, we have to wait for the bean counter that only care about “continuous growth” and Basically don’t understand what makes a great TV Just determine the future of both exhibitions so that the cycle is repeated a year, when they once again conclude, “We must find the following” friends “.”

“Excessive compensation” can be streamed with a Prime video, and “adults” is “hulu” and FX.