Hideo Kojima’s 4 Favorite Movies Are All Bangers

Anyone who has played a prestigious Japanese video game designer Hideo Kojima’s game can say they are a big fan of movies. His games, such as the “Metal Gear” series and “Death Stranding”, are well known for being deeply cinematic with wildly complex plots, and he has got some pretty famous filmmakers to take on roles in them. In fact, “Death Stranding” includes the actors Norman Reedus, Mads Mikkelsen, Margaret Qualley and Léa Seydoux, but it also includes directors Nicolas winding Refn and Guillermo del Toro. Now, Kojima and A24 in the “Death Pie” now movie to be the actual movieIt seems sensible to explore the impressive creative favorite movies.

Recently Kojima has both visited the Criteria Cabinet to discuss some of her favorite films and was asked about her favorite four films GqAnd even though there are little overlaps, his top four for GQ are all absolute bangers. (( Selection of criteria They are also pretty great because he basically changes the 1950s and 1960s Japanese cinema lesson!) It makes sense that Kojima would have a good taste in the movies based on game movie influences and his killer’s taste in the actors, but is still neat to learn exactly which films are the most important.

When GQ asked to name his LostBoxd four movie, Kojima revealed that he had no LostBoxd yet, but he was now interested, especially as he learned the legend’s guiding Martin Scorses account. “If Scorsese does it, I can’t criticize Scorsese. He is the second God. The first is George Miller,” Kojima said. He continued to explain that he really keeps the movie tracking list on the phone similar to what Lostboxd does, with different smileys of the movies he has watched with his sons or sons or His sad “no comment” negative non-reviews That fans go wild in social media.

Although he admitted that his four best changes “all the time”, which is wildly Relatable, he told GQ that at the time of the interview they were Stanley Kubrick “2001: Space Odyssey”, Akira Kurosawa “High and Low”, Miller “Mad Max 2: Road Warrior, and Scorsesen” Taxi ” and “a taxi driver. You can really see” 2001 “on the visuals of Kojima, especially in the” death penalty “, and in the post-apocalyptic story, there is definitely” Mad Max “elements. Each film is one of its most well-known directors, except” high and low “, often ignored by Kurosawa’s Opera Samura Movies, such “Ran”, (it did We list for Kurosawan’s 11 best filmshowever!)

“High and Low” is a bit different from the Kurosawan Samurai movies because it is a complicated crime movie about kidnapping that has gone wrong. It often features Kurosawa partner Toshirô Mifune as a wealthy businessman who believes his son has been kidnapped in Runna, just to find his driver instead of his son. Kidnapper will continue to kill the child if the businessman does not pay, leading to a complex moral dispute. “High and Low” is a tight police procedure with characters that are neither purely good nor evil, but depict them in the gray tones they are usually closer in reality. The literary gray shades of the film are broken in one shot, which contains pink smoke, which was a rather majestic achievement in 1963.

In the Criterian cabinet, Kojima was enthusiastic about seeing that “high and low” was in the collection, and she was even more enthusiastic to be able to do a copy of her home, referring to her favorite Kurosawa movie. You can see some “high and low” impact in Kojima’s work, both in the composition and writing of the shot, because the characters in Kojima are usually morally endangered. So while his favorite films can change all the time, these four are serious bangers.