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The most impactful thing about the Gorlin Masascre In Andor season two This is how it depicts a real image of what the rebellion represented by putting the public in the place of the people assembled to defend their planet. In a dark but hopeful episode, control of the story of the story begins to collapse, presenting the brutal violence inflicted by the imperial forces against those who resist the reign of Palpatine.
The creator of the Tony Gilroy series and the star Diego Luna gave more context on the explanation on a a key element of Star Wars history In a recent breakdown video for the scene for Variety. “We knew that we were going to invest very strongly in Ghorman to build a world, a planet, a city like that, on this scale, you really have to use it. We knew it would be a centerpiece of the show. It is a masterpiece with cannon,” said Gilroy. “During the five years that I can organize, it is a critical moment in the history of the rebellion. And yet it is very not described. There was a mandate and a request to do it, but there was no information on what it was, which is somehow the best thing for us. ”
He continued. “The most difficult part for me was to try to calibrate the timing of everything and try to calibrate where everyone is. When you do these kinds of scenes where you have a lot of characters you try to follow, trying to follow a lot of stories there, and it’s almost in real time what is going on.”
Cassian is the public way to see how the Empire grabs a peaceful demonstration and encourages violence. “We knew that the massacre would take place on a city square,” said Gilroy. “We also knew that we didn’t want to do anything that looked like or felt everything we had done before. We also wanted a prosperous planet. We wanted a place that was well linked, politically connected, not an easy place to eliminate for the Empire. ”
The production designer Luke Hull built a whole entirely made for Palmo Square, where the Ghor resisted the presence of the Empire. “It is not even architecture and construction,” shared Gilroy about his collaboration with Hull. “It is to design a place for history and for the directors will be able to do. Without an instruction or a truly detailed mandate, Luke Hull gives us this absolutely surprising little stadium, then the flea market stores that made us, and the preparation of the hotel. Half, four months old, and did not include the preparation that Luke and I did before he even started the room.
Even until the confrontation provided between Cassian and Syril, who unpacked the personal issues between the diametrically opposed enemies of the show, Luna shared: “Just the fight with Syril was two and a half days. We worked on this fight, I would say, for months. There were a lot of different choreographies that we made before. We have all agreed by a single agreed by a single agreed by a single agreed by a single agreed by a single agreed by a single agreed by a single agreed by a single agreed [version of the scene] What Tony was really happy and that explained the whole story, that the fight must tell. »»
Luna continued. “The beauty of Andor is that you can become so deeply that you could forget that you are in this galaxy far, far. You are just in a place that really exists. »»
Luna approached the cyclical nature of the way history reflects art. “It is the strength of this episode, that it is a massacre that is personal, it happens. You look at it, and you go like:” Damn, these are people who suffer. They are injured people “you know that destruction really occurs.”
https://www.youtube.com/watch?v=_tdqi0doeqs
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