A24’s New Horror Films Prove One Thing About The Future Of Scary Movies

Horror has constantly proven to be one of the most flexible genres by mixing sounds, aesthetics and sounds. It is often an educational area for flowering filmmakers as they are often challenged to get their film with limited resources. The horror of a small budget seeks to increase creativity and, in certain cases, box office revenue. See only Sam Raim, John Carpenter and George Romero, all of which have become some of our biggest filmmakers. You never know when the next talent comes out of woodwork, and it seems that we have new blood to keep an eye on.

The A24 has given Kane Parss to present his Banderol under his Banderol, “The Backrooms”, with the horror film produced by the science fiction, produced by James Wan’s Atomi monster (Via Variety). The project is intended to star Chiwetel Ejiofor (“Chuck’s Life”) and Renate Reinsve (“the worst person in the world”), and the plot details are kept under the wraps. However, the wildest detail in this announcement is that Parsons is only 19 years old, so he is the youngest filmmaker in studio history. It’s a time when most people hardly learn to find out who they are in the adult world, and here this fresh face works with one of the most prominent distributors of the movie.

It is a deserved opportunity for Parsons during lifetime, considering the “back rooms” came from the material created by his channel from the Youtube series Kane pixels When he was only 16 years old. Gen Z Talent videos have become a kind of staple online horror ball that has paid attention to all angles on the Internet in recent years. (Parsons’ second YouTube series “Oldest View” was proclaimed as one of the most scary horror films of 2023.) He is able to shine very little money in the atmosphere and atmosphere, which gives the impression that he has a lot of great tricks on his sleeve.

We can collect quite a bit of information about this exciting announcement but one of the biggest jackets is it YouTube is a rising horror ability.

If there was no reason to see YouTube as the center of the new talents of young youth, you just have to look at what playing in theaters at the moment. Danny and Michael Philippou started their online video platform on the channel Racarackaand are currently driving their second theatrically published horror movie wave “bring him back.” The couple originally made splashes a few years ago with a nasty 2022 Having the Horror Movie “Talk Fote Me”, which is given from the Greenlight A24 to move forward with the sequel.

Although personally I believe /The movie Chris Evangelista, who praises the praise of the Bleak Feel-Bad-Horror-Horror in his reviews. YouTube is full of a bunch of soulless content, but with UP and newcomers, something to say cracks almost always through cracks and finds the audience. The site is a much different place than it was when I found it for the first time, which can sometimes make me feel that I’m out of what has become popular today. Some may smile at the idea of ​​Cocomelon’s and Mr. Beast videos that produce a new filmmakers’ crop, but only because something is removed from your generation does not mean that there is no value to its popularity. The A24 is incredibly wise to pay attention to what people are talking about, and gives these factors an even larger platform in order to flourish their art.

Parsons and Philippou brothers are not even the first filmmakers who make a leap from YouTube to a big screen. David F. Sandberg known on YouTube ponyzasmaExpanded to his ghostly “illuminates” short part of Warner Bros. Video game adaptive world (“dawn”). He even downloads videos that teach valuable movie tips and tricks based on what he has learned. Online movie critic Chris Stuckmann had an attempt to be a filmmaker and years later on his online presence made an agreement with Neon to spread his Found material guidance debut “Shelby Oaks”.

The best part of this is some Youtube creators that take the initiative to make their own horror films like the case Curry Barker’s “Milk & Series” that you can watch right now for free. 2024 found the material horror movie centers around some Youtube prankers joke way too far. Produced $ 800 (you read it correctly), an hour -long feature is quite impressive and has a dark comic average line. It is only a matter of time until his inventiveness rises to the Hollywood radar higher.

Parsons is here in an excellent company, and his cooperation with the A24 gets only more eyes for his work. But if we look at how youters can become sensations in Hollywood, we also have to look at anything else a few years ago.

Kyle Edward Ball’s “Skinmarink” turned out to be a very dividing film among the audience, but for my money it just isn’t One of the best horror films of 2023But the dominant effect of the era on start -up. It has a plot, albeit small, following two very young children who wake up in the middle of the night to find that their parents have disappeared with all the windows and doors of the house. The camera attaches to children’s roofs, public and partial outline. It is a viscerally shocking avant -garde Liminal nightmare that swallows you as a whole. The excitement of “Skinmarin” is almost unbearable, all without you need anything you usually expect to scare you. It’s one of the few movies I have seen that I can easily determine evil From top to bottom (free).

Before he got his leap on the big screen, Ball got his start on YouTube channel Bitized NightmaresWhere he would try to visualize people’s nightmares. Many of these videos are still really creepy. Ball’s 30 -minute short “Heck” is basically a test drive, which “Skinanmarink” will eventually expand. The movie that Ball shot in his childhood became one of the most talked about virus shell sensations after 2023 after the illegally divided screener was on his way to the Internet. By the time Shudder and IFC signed a deal to spread the film, it was in the mind of many horror fanatics. “Skinmarink” won the odds and proved how wide youtube horror can be. When was the last time you saw an experimental movie that gathered a sense of such a large audience?

It proves that YouTube is a democratized center for viewers who illuminate something to say to content producers. The “back rooms” videos of Parsons play in the same limbial state as the “Skinamarink”, but time will tell if he should stick to the underestimated approach of his YouTube videos or expand the scope of his fabric. There is a significant number of online abilities that we have not yet found, and it is incredibly exciting. The “rear rooms” feel only at the beginning of Parsons, and I can’t wait to see what horrors he has in stock for us.

“Bring him back” now plays nationwide in theaters.