James Cameron’s Biggest Issue With Christopher Nolan’s Oppenheimer

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It has been almost 30 years since James Cameron made a film that has not been placed in the world of Pandora, which can make you believe that he has lost a connection to the real world. If you have seen the 2022 “Avatar: The Way of Water”, “ It should be clear that Cameron is fully aware of what is happening on our planet. It is a movie where Marines and Businesses are bad sons, while Pandora’s indigenous creatures are clearly heroes (although they are given to tribal disputes because everyone has different ideas for their world). If you came out of these two films, thinking that Cameron is a non -militant environmental protector, you didn’t pay attention.

With the exception of wildly entertaining but confusingly cruel “true lies”, it can be safely said that James Cameron is a humanist. “Terminator”, “foreigners”, “The Abyss”, “Terminator 2: Judgment Day”, “Titanic” and both “Avatar” films appeal to our conscience. And while Cameron has dealt with the transition to the issue of wealth and sexism, he alerts him above all the nuclear war. I was 11 when I first saw the “terminator” and knocked me sideways as modestly budgeted as a sci-fi/action flicker that dealt with the fear that my parents could not convince. I had seen “the next day”, “a will” and Boldly shocking Blockbuster “Wargames” So far, and it was well understood that the whole nuclear war did not survive. But the “terminator” was different. Yes, Reese (Michael Biehn) was only able to make sure that the rescuer of mankind survives the core holiday and wins Skynet’s machines, but Sarah Connor’s album confidence at the end of the movie made me want to fight this seemingly inevitable future. “Terminator 2: Judgment Day” doubled with this feeling and offered I hope to a striking that we could all understand the value of a person’s life and not insanely speed up our own extension.

Cameron has not stopped thinking of the nuclear war, and thanks to God for this. President Donald J. Trump is obsessed with nuclear weapons And it looks eager to use them. Fortunately, Cameron, a man who has directed the three highest films in the history of the movie, keeps an eye on this special ball. And he prepares to shake the whole humanity with a feature based on the “Hiroshima Ghosts of Hiroshima” in Charles Pellarino. If you are wondering why Cameron would make the movie Hiroshima and Nagasaki bombing so soon after Christopher Nolan won the load Oscar for “Oppenheimer”, he thinks that the film was in one important way. And he is eager to respond to this abuse.

In a recent interview deadlineCameron discussed his plans to adapt “Hiroshima’s ghosts.” If you are jumped on a new Cameron movie that does not have a “avatar” title, pump those brakes. Although he says he thinks about this project for 15 years, he has not even started writing the script.

The Pellegrino book, which streets on August 15, is a very detailed description of what it was like to be in the Ground Zero area for both of these shocks, which, crossed, are still the only use of nuclear weapons in human history. The book depicts the surreal aftermath of bombing, in which people contacted their loved ones who had evaporated; The only one left was the hot bones of their piping. Almost all those who survived the attacks died in a short order of radiation or cancer.

When he asked in the deadline what he had to add “after the Oppenheimer”, reliably boring Cameron had to say this:

“Yeah … it is interesting to stay away from. Look, I love making movies, but I felt like it was a bit moral police. Because there was no effect in the Oppenheimer. He has one brief scene in the movie we see – and I don’t want to criticize another filmmaker movie – but there is only one short moment that it avoided the subject.”

Then Cameron added, “I don’t know if the studio or Chris felt it was the third rail that they didn’t want to touch, but I wanted to go straight to the third rail. I’m just stupid this way.” Cameron’s vision of His adaptation of “Hiroshima ghosts” It sounds like it encounters filmmakers who have an unpleasant description of what Pelligrino got through interviews and research. It is unlike ever made a movie. And I hope hell is not part of the roadside because we need one of the biggest filmmakers of my life so that we can alert the world for the horrifying consequences of the nuclear war. Because people currently dominated by these arsenals are crazy, morons or both.