John Wayne’s Best Western, According To IMDb

You don’t have to tell you that John Wayne was one of them Best Western movie actors All time, but what was his finest Western movie? The career has a lot of great choice that extended for five decades, both with its regular and well -known partner John Ford and other instructors (“Rio Bravo”, “True Grit”, etc.). Two Ford landmarks often dominate the debate: in the Wayne star “Stagecoach” and his unusually dark Odyssey “applicants”. Both are great screams, but if you pay attention to the IMDB rankings, the director and Star got better with “a man who fired Liberty Valance”.

John Ford’s absorbent drama, published in 1962, explores the old West’s romantic myth production and the strong victory of the American border to the democratic law and order. It may sound a bit snooze if you expect classic Matinee-style shootings and horse activities, but Ford and Wayne also deliver those figures. “Liberty Valance” is an adult West, which is also a cracked entertainment piece that gives us a first screen meeting between Hollywood legends and James Stewart; Interesting love triangle; troops of colorful support characters; And Lee Marv’s title figure, certainly one of the most average black hats that has ever followed the salon.

“The man who shot the Liberty Valance” event is an important place in Western film history that acts as a curtain call and a flashlight. It was Ford’s final movie in the genre with Duke, offered John Wayne one of his best roleAnd Ford himself approached the end of his Western leader. After claiming more than any other filmmaker who chronicled the West of America, he was an influential Auteur who also began to take into account his legacy; Two years later, his last Western “Cheyenne Autumn” would effectively serve as an apology for how he had previously photographed indigenous Americans. At the same time, “Liberty Valance” helped to narrow the gap in the 1950s of the early revisionist Western and Sergio Leonen “once in the West” and Sam Peckinpah’s “The Wild Bunch” event like the more granular and violent. Let’s see what makes it so memorable and why Wayne’s most classified Western IMDB.

“A man who fired Liberty Valance” that was not exactly the easiest movieOpening Senator French Stoddard (James Stewart) returns to Shinbone to a pleasant border town with his wife’s halls (Vera Miles) to attend the funeral of a friend, Tom Doniphon (John Wayne). A local newspaper journalist will be sent to get a bucket in the context of an important politician and the old cowboy. Stoddard reluctantly tells the whole story and blinks us back 25 years earlier when he was an idealistic young lawyer who sought an adventure in the old West.

As the Stagecoach possesses Stagecoach, the unedimated and illegal area of ​​the then united and illegal area is arrested by Liberty Valance (Lee Marvin). Stoddard is robbed and beat before Doniphon found him and taken to the city. There he is handled by the hall and deserves to keep his ChopHouse. Soon, he will learn the state of Shinbone’s play: Valance and his two friends (play Lee van Cleef and Strother Martin) terrorize locals because Lilja-accompanied Marshal-Linkleard (Andy Devine) is too scared to stand by them.

Stoddard has decided to bring institutions to justice, despite warning Doniphon, that the only way to solve these parts is by transporting six shooters and preparing to use it. However, Stoddard hates violence and strengthens its own legal practice. He also leads a class that helps controlled and other illiterate cities receive basic training. He firmly believes that learning is the basis of law and order and seeks to gain the state of the region. Local cattle cattle farms hold things nicely in the same way they are and hire Valance and his gang to intimidate voters. This puts the exhibition between a lawyer and an experienced weapon holder – but Doniphon still has a lot to say, despite the fact that he has a romantic reasons for wanting a stoddard from the picture.

Few Westerners have depicted the old West’s journey from illegality to democracy and “a man who fired Liberty Valance,” and John Ford is a fascinating balance between the nostalgia of the border and the defense of modernity. For two huge stars, such as Wayne and Stewart, casting will certainly help when Wayne’s memorable cowboy represents macho old times and Stewart, which is good but separated from a large part of the movie that represents the way forward.

I usually try to avoid talking about politics at the time of writing movies but is almost impossible to discuss “Man who shot Liberty Valance“Elsewhere otherwise– indeed it has described New Yorker “The largest American political movie”. As objectively as I can say, the film tells us this: democracy, law, education, equity and freedom of expression are good things and the only way for a civilized society to succeed. Hitting people, individual greed, terrorization of voters, and violently suppressing the free press are bad things.

Stoddard represents good and freedom Valance represents evil, while Doniphon floats somewhere in the middle – he knows that the Crusade of the Stoddard is the best in the area, but he still grabs the border and justice. However, there are some wrinkles. To achieve the city’s progress, Stoddard must rely on contempt for weapons violence, and his potential profit implies a reputation that is better suited to the wild Western installation. By the end, he has achieved a lot as a senator, but he is still remembered as a man who was shot by Liberty Valance. Old habits die a lot, and as the newspaper man is famously tells him, “When the legend becomes a fact, the legend.”

In contrast, Tom Doniphon’s arc is a bitter way to John Wayne to bow to Ford in his last western country. He is a two -framed cowboy who is not afraid to start shooting when needed. He would certainly be more comfortable to own the legend to kill Valance, but he will give up that condition for the benefit of the city. He dies alone anonymously, a sad end to the heroic character.

“A man who shot the Liberty Valance event,” is a political film about city meetings, stump speeches and elections, but it is also a Western thriller with a tight separation and a surviving final. There are complex themes everywhere, and John Ford introduces those ideas without ever knowing you over his head. This emphasizes Ford’s elegance as a filmmaker; From all his association to the sweeps and activities, he was at his best to supply his story and the character of the character without paying too much attention to himself. IMDB’s voters may be right here: “The man who shot Liberty Valance” is standing there with John Wayne’s best Westerners.