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The “remnants” broke the large HBO rule, which the channel had followed for decades after it was published. Damon Lindelof’s beloved TV series was the first project developed outside HBO’s owned studios. In 2013, Hollywood reporter emphasized “residues” as part of a massive push For new exhibitions in HBO. Lindelof’s show would stand online “Game of Thrones” and “True Blood”. It is amazing to think about how much this move changed the “Prestige TV” landscape.
Before that moment in 2013, HBO wanted to keep the production of these series in the house. Warner Bros. TV performs a lot of tasks. But to attract large fish, you need to find rules sometimes. The “remains” was the Who’s Who at that time. The names like Peter Berg, Tom Perrotta and Sarah Aubrey were hot commodities. If this is What is needed to secure Lindelof (and his no -‘n’-Wisty exhibition)“You are probably just making a decision and a concern for the consequences later.
However, this agreement was a brewery for a long time. Perrotta was “remnants” when HBO received it in 2011. From there Lindelof grabbed the wind of the book and immediately got his eyes to HBO. The filmmaker’s current pedigree led to rapid alliance, and things were in competitions. In this case, the “remaining” would continue to praise at home, and TV critics are still grateful that TV critics write about the very different binge-centered streaming scenery we have today!
HBO is No guests for high conceptual TV shows It usually seems that they cost a lot of money. “Remains” is a Gold Star example of both tropes. In the exhibition, the “sudden departure” whispers 140 million people without traces. After three years, the people of the small New York city are trying to grasp the new normal. But just like in our real world, it is difficult to cross the gap between the world before all these people disappeared and such characters are currently living. (There’s a cult, called the guilty residue, who leaves some people left and everything!) “Remnants “end remaining very emotionally satisfactory.
Tom Perrotta wrote the novel “The Remains” in 2011, but even today, the subject and situations can be very contemplative. All the best HBO’s “Prestige era” shows questions about our place in the universe, what we leave and what we owe each other. These hobbies are profitable, but perhaps hard sales to the TV leader. In essence, the grouping of 20th century studios for making a “remaining” exhibition increased the chances of success for all online exhibitions.
Let me explain. 20th century studios that deal with this production means that Warner Brosin does not have to use this energy or money. They just have to share the profits when it goes well. You can afford a rare distortion or keep a presentation that is not the biggest thing on television when you spread wealth around. This would still be a more general transfer to HBO and other TVs in the previous decade. Why put all those eggs in one basket when you don’t have to?
Its A lesson that all streamers seemingly learned again. See “Abbott Elementary” events that share their success between Warner Bros. TV and ABC studios? When it goes well, everyone gets their share of the pie. The HBO type started a high concept exhibition outside his gates “remains”, and everyone was better for it. Viewers may now enjoy the same event offered for some smaller projects in the coming years. It’s all the key to help maintain a healthy balance with TV screens everywhere.